Ref: Mulhern
Wow, cutting it close...!!
#1 Inception
I just saw this last weekend, and it was a good thing too. I absolutely loved this movie. It was intricate, mind-blowing, affecting and touching by turns. I know that B thought the film was over-explained to the detriment of character development, but I appreciated that the complex universe of the story was explained thoroughly because it helped me sit back and enjoy the multilayered ride.
I could easily watch Inception again and again. The acting was incredibly well done across the board. And what a challenge to envision a world in which you can create whatever you can dream - and then to execute that vision! Completely enthralling.
That's all for now, with zero minutes to spare. Thanks for playing!
27 February 2011
2010 Movies: # 5, 4, 3 & 2
Ref: Mulhern
#5 Black Swan
I was all set to write an extensive segment about this psycho-sexual thriller, talking about the grueling training the actors experienced, the freaky camera work and effects, and the consequences Natalie Portman's transformation from white to black swan. I was going to tell you how I appreciated the artistry of the movie but couldn't handle seeing it again. It would have been a great post.
However, I can't say anything about it because I am way too creeped out by the fact that when I went into the backyard this afternoon, I found a scattering of individual black feathers upon the smoothly drifted crisp white snow, with no tracks nearby to provide a clue as to their origin.
#4 127 Hours
While I'm sure this was amazingly wonderful, I just couldn't do it. Maybe someday, on the small screen.
#3 The Town
My coworker saw The Town with her sheriff's deputy husband and said their perspectives on the action were totally different. When *spoiler alert* the crew escapes across the bridge in their nun masks and the lone BPD officer turns his head away to let them escape, D screamed, "NO!" while H said, "That's what you had better do!" Where H was appalled to see law enforcement going into harm's way, D saw a movie that criminals might watch and get new ideas. "At least they're not actually smart enough to pull this off in real life," he said.
Ben Affleck has really come into his own in recent years, with strong directorial showings in The Town and Gone Baby Gone. This film toes the line between heist caper and something much darker. The acting is uniformly powerful - Affleck, Jeremy Renner, Jon Hamm, Rebecca Hall and even Blake Lively in her departure from Gossip Girl's Serena van der Woodsen.
#2 The Fighter
I DIDN'T SEE MULHERN'S NUMBER TWO FILM OF THE YEAR!?!?! Unacceptable!
#5 Black Swan
I was all set to write an extensive segment about this psycho-sexual thriller, talking about the grueling training the actors experienced, the freaky camera work and effects, and the consequences Natalie Portman's transformation from white to black swan. I was going to tell you how I appreciated the artistry of the movie but couldn't handle seeing it again. It would have been a great post.
However, I can't say anything about it because I am way too creeped out by the fact that when I went into the backyard this afternoon, I found a scattering of individual black feathers upon the smoothly drifted crisp white snow, with no tracks nearby to provide a clue as to their origin.
#4 127 Hours
While I'm sure this was amazingly wonderful, I just couldn't do it. Maybe someday, on the small screen.
#3 The Town
My coworker saw The Town with her sheriff's deputy husband and said their perspectives on the action were totally different. When *spoiler alert* the crew escapes across the bridge in their nun masks and the lone BPD officer turns his head away to let them escape, D screamed, "NO!" while H said, "That's what you had better do!" Where H was appalled to see law enforcement going into harm's way, D saw a movie that criminals might watch and get new ideas. "At least they're not actually smart enough to pull this off in real life," he said.
Ben Affleck has really come into his own in recent years, with strong directorial showings in The Town and Gone Baby Gone. This film toes the line between heist caper and something much darker. The acting is uniformly powerful - Affleck, Jeremy Renner, Jon Hamm, Rebecca Hall and even Blake Lively in her departure from Gossip Girl's Serena van der Woodsen.
#2 The Fighter
I DIDN'T SEE MULHERN'S NUMBER TWO FILM OF THE YEAR!?!?! Unacceptable!
2010 Movies: #8, 7 & 6
Ref: Mulhern
#8 The Social Network
I thoroughly enjoyed watching The Social Network, not only because the network of note came to be while I was at my alma mater. Tight script, excellent acting, captivating story, regardless of how accurate it actually was. I loved the juxtaposition between the two court cases and how they framed the flashbacks that comprised the bulk of the movie. Eisenberg made a great Zuckerburg and Garfield was stellar as Saverin, the friend and business partner who seems helpless as the vision of which he was a part slowly slips away.
#7 Blue Valentine
This one goes on the, "I didn't see it but I wish I had even though it was likely soul-crushingly depressing," list.
#6 Exit Through the Gift Shop
I didn't know much about this movie - or, indeed, the graffiti art community - before heading to see Exit Through the Gift Shop with the Mulhern, but I'm glad I did because it was thoroughly enjoyable. The documentary is straightforward enough at the outset, telling the story of budding documentarian Theirry ("Terry") Guetta and his attempt to follow public artists using some family connections. However, by the end the story has become twisted around so that you almost can't believe it was true to begin with. Exit Through the Gift Shop very intriguing film that I'd highly recommend.
#8 The Social Network
I thoroughly enjoyed watching The Social Network, not only because the network of note came to be while I was at my alma mater. Tight script, excellent acting, captivating story, regardless of how accurate it actually was. I loved the juxtaposition between the two court cases and how they framed the flashbacks that comprised the bulk of the movie. Eisenberg made a great Zuckerburg and Garfield was stellar as Saverin, the friend and business partner who seems helpless as the vision of which he was a part slowly slips away.
#7 Blue Valentine
This one goes on the, "I didn't see it but I wish I had even though it was likely soul-crushingly depressing," list.
#6 Exit Through the Gift Shop
I didn't know much about this movie - or, indeed, the graffiti art community - before heading to see Exit Through the Gift Shop with the Mulhern, but I'm glad I did because it was thoroughly enjoyable. The documentary is straightforward enough at the outset, telling the story of budding documentarian Theirry ("Terry") Guetta and his attempt to follow public artists using some family connections. However, by the end the story has become twisted around so that you almost can't believe it was true to begin with. Exit Through the Gift Shop very intriguing film that I'd highly recommend.
2010 Movies: #12, 11, 10 & 9
Ref: Mulhern
#12 The Kids Are All Right
The Kids Are All Right was a well-written look at family life in the post-traditional paradigm. All the characters are uniquely drawn, and Annette Bening and Julianne Moore are convincing as a couple long in love but chafing at routine. As the movie opens, they know that said routine is about to be disrupted by their daughter's departure to college. What they don't realize is that another type of disruption entirely is about to result from their family's introduction to their biological father.
Everything about The Kids Are All Right feels realistic - the family dynamic, the titular kids' curiosity about their father, the little spats and quirks that Bening and Moore demonstrate in their life together, Mark Ruffalo's cool careless exterior and relational awkwardness. Clues are planted early on that come into play as the storyline moves inexorably toward betrayal, discovery and resolution.
I give it bonus points for the fact that Annette Bening looks exactly like my aunt.
#11 Toy Story 3
I'm glad I managed to see this one just in time (i.e. before the Oscars). I haven't seen either of Toy Story 3's predecessors in a number of years so the overall story arc is a little fuzzy, but I think this series resonates so much with people for a couple of different reasons. The toys remind viewers of their childhoods and highlight the bittersweet elements of growing up, but they also stand in for the viewers, experiencing camaraderie and loss in the same way that we do in life.
The animation is once again excellent, though not as groundbreaking as the first time it appeared. Still, it's interesting to think back to the original film and how its style fundamentally changed animation.
(I did like How To Train Your Dragon more... because I love Toothless!)
#10 Harry Potter and the Deathly Hallows: Part 1
My grandmother bought my little brother a Harry Potter paperback way back when, and I was hooked. While never being disappointed with any of the movies, I've had my favorites, and Harry Potter and the Deathly Hallows: Part 1 is now among them despite its understandable lack of resolution.
It's so fortunate for the franchise that the three child actors selected to carry these films have grown up well, with talent to spare. Daniel Radcliffe, Rupert Grint and Emma Watson have settled into their series roles nicely, and their closeness during the last several years likely plays a role in their success as an ensemble. I hope we'll see continue to see good things from them after next year's final installment closes the curtain on the magical world.
B's assessment of the action in Deathly Hallows is right on the money - there's a lot going on even when our heroes are hiding out in the forest and plotting and planning their next move. Visual effects were used nicely, I thought, such as when *spoiler alert* Hermione hides behind an invisibility field a breath away from a pursuer. Even better, the story stuck closely to that of the book and was just as evocative. I shed a tear. I'm sure you did too.
Very much looking forward to next November's final showdown.
#9 Animal Kingdom
Didn't see this one (shocker, especially when you juxtapose Mulhern's synopsis with my love of Valentine's Day).
#12 The Kids Are All Right
The Kids Are All Right was a well-written look at family life in the post-traditional paradigm. All the characters are uniquely drawn, and Annette Bening and Julianne Moore are convincing as a couple long in love but chafing at routine. As the movie opens, they know that said routine is about to be disrupted by their daughter's departure to college. What they don't realize is that another type of disruption entirely is about to result from their family's introduction to their biological father.
Everything about The Kids Are All Right feels realistic - the family dynamic, the titular kids' curiosity about their father, the little spats and quirks that Bening and Moore demonstrate in their life together, Mark Ruffalo's cool careless exterior and relational awkwardness. Clues are planted early on that come into play as the storyline moves inexorably toward betrayal, discovery and resolution.
I give it bonus points for the fact that Annette Bening looks exactly like my aunt.
#11 Toy Story 3
I'm glad I managed to see this one just in time (i.e. before the Oscars). I haven't seen either of Toy Story 3's predecessors in a number of years so the overall story arc is a little fuzzy, but I think this series resonates so much with people for a couple of different reasons. The toys remind viewers of their childhoods and highlight the bittersweet elements of growing up, but they also stand in for the viewers, experiencing camaraderie and loss in the same way that we do in life.
The animation is once again excellent, though not as groundbreaking as the first time it appeared. Still, it's interesting to think back to the original film and how its style fundamentally changed animation.
(I did like How To Train Your Dragon more... because I love Toothless!)
#10 Harry Potter and the Deathly Hallows: Part 1
My grandmother bought my little brother a Harry Potter paperback way back when, and I was hooked. While never being disappointed with any of the movies, I've had my favorites, and Harry Potter and the Deathly Hallows: Part 1 is now among them despite its understandable lack of resolution.
It's so fortunate for the franchise that the three child actors selected to carry these films have grown up well, with talent to spare. Daniel Radcliffe, Rupert Grint and Emma Watson have settled into their series roles nicely, and their closeness during the last several years likely plays a role in their success as an ensemble. I hope we'll see continue to see good things from them after next year's final installment closes the curtain on the magical world.
B's assessment of the action in Deathly Hallows is right on the money - there's a lot going on even when our heroes are hiding out in the forest and plotting and planning their next move. Visual effects were used nicely, I thought, such as when *spoiler alert* Hermione hides behind an invisibility field a breath away from a pursuer. Even better, the story stuck closely to that of the book and was just as evocative. I shed a tear. I'm sure you did too.
Very much looking forward to next November's final showdown.
#9 Animal Kingdom
Didn't see this one (shocker, especially when you juxtapose Mulhern's synopsis with my love of Valentine's Day).
2010 Movies: #16, 15, 14 & 13
Ref: Mulhern
#16 Never Let Me Go
B and I saw Never Let Me Go on a romantical date. He coined the descriptor "soul-crushingly depressing" immediately after exiting the theatre, where the marquee indeed advertised, "Never Let Me Go featuring Future Spiderman Andrew Garfield."
Mulhern is right on the money on this one. It's a film I enjoyed seeing once because it was well-written and -acted, artistic and arresting. It's also creepy and heart-rending, showcasing sparse scenery and sparser prospects for those it follows. But I don't know if it's one I would enjoy popping into the DVD player on a whim because of its sheer weight.
Another excellent showing by Carey Mulligan.
#15 The King's Speech
The King's Speech was a wonderful film, well-deserving of its accolades to date. I disagree with B's assessment of pacing issues - I thought all the characters and scenes were captivating, even those featuring the brother. The interactions between the king and his daughters were touching, especially the penguin scene, as were the relationships between the king and his wife and the king and his therapist.
While it may have lacked some historical accuracy, The King's Speech felt real, employing excellent period costuming and immersing performances. Colin Firth, Geoffrey Rush and Helena Bonham Carter are all outstanding. I'd put this one on any must-see list.
#14 Winter's Bone
I missed this one and am sad that I did, although it sounds soul-crushingly depressing.
#13 How to Train Your Dragon
I loved this movie! It's one I would consider buying a 3D TV to see again, just because all of the flying scenes were so amazing. I also tried to get my sister to name her new vehicle Toothless (big, black and sturdy - what's not to like?).
A couple of corrections to Mulhern's review:
It's Night Fury, B, not a Nightmare. Gotta know your dragons. Brush up.
And Toothless isn't so much missing teeth as... well... *spoiler alert* hiding them a la Wolverine's claws. Surprise!
I think How to Train Your Dragon works well because its basic building blocks are so strong. Even though the tale itself is an animated fantasy, it incorporates the same elements that any successful story would. Enthralling, suspenseful storyline? Check! Believably flawed but relatable characters? Check! Stirring score? Check!
It is, as the trailer suggests, "a great adventure for all ages." I am definitely anticipating the sequel. I hope it's just as good!
#16 Never Let Me Go
B and I saw Never Let Me Go on a romantical date. He coined the descriptor "soul-crushingly depressing" immediately after exiting the theatre, where the marquee indeed advertised, "Never Let Me Go featuring Future Spiderman Andrew Garfield."
Mulhern is right on the money on this one. It's a film I enjoyed seeing once because it was well-written and -acted, artistic and arresting. It's also creepy and heart-rending, showcasing sparse scenery and sparser prospects for those it follows. But I don't know if it's one I would enjoy popping into the DVD player on a whim because of its sheer weight.
Another excellent showing by Carey Mulligan.
#15 The King's Speech
The King's Speech was a wonderful film, well-deserving of its accolades to date. I disagree with B's assessment of pacing issues - I thought all the characters and scenes were captivating, even those featuring the brother. The interactions between the king and his daughters were touching, especially the penguin scene, as were the relationships between the king and his wife and the king and his therapist.
While it may have lacked some historical accuracy, The King's Speech felt real, employing excellent period costuming and immersing performances. Colin Firth, Geoffrey Rush and Helena Bonham Carter are all outstanding. I'd put this one on any must-see list.
#14 Winter's Bone
I missed this one and am sad that I did, although it sounds soul-crushingly depressing.
#13 How to Train Your Dragon
I loved this movie! It's one I would consider buying a 3D TV to see again, just because all of the flying scenes were so amazing. I also tried to get my sister to name her new vehicle Toothless (big, black and sturdy - what's not to like?).
A couple of corrections to Mulhern's review:
It's Night Fury, B, not a Nightmare. Gotta know your dragons. Brush up.
And Toothless isn't so much missing teeth as... well... *spoiler alert* hiding them a la Wolverine's claws. Surprise!
I think How to Train Your Dragon works well because its basic building blocks are so strong. Even though the tale itself is an animated fantasy, it incorporates the same elements that any successful story would. Enthralling, suspenseful storyline? Check! Believably flawed but relatable characters? Check! Stirring score? Check!
It is, as the trailer suggests, "a great adventure for all ages." I am definitely anticipating the sequel. I hope it's just as good!
26 February 2011
2010 Movies: #20, 19, 18 & 17
Ref: Mulhern
#20 Youth in Revolt
Although I enjoyed Youth in Revolt, I think I liked Scott Pilgrim better than this Cera vehicle overall. Now that I think about it, both films feature Cera's character going to extraordinary lengths (boyfriend battle/alter-ego crime spree) to impress girls I found somewhat annoying, Sheeni more so. I felt like she toyed unfairly with Nick for most of the film, versus Pilgrim's Ramona, who genuinely liked Scott but came with plenty of complications. I suppose without the toying, though, Nick's imaginary version of himself, Francois Dillinger, would never have been born.
As B's review mentions, the dialog in the movie is worth noting:
B watched this one while Minnesota was being buried in snow. I was too frightened - even the allure of Ryan Reynolds couldn't pull me in.
#18 True Grit
I didn't see this one either. Too gritty.
#17 The Ghost Writer
I very much enjoyed The Ghost Writer, a mysterious, moody film that leaves you thinking long after the credits roll. The setting, all grey beaches and modern architecture, sets up a suspenseful atmosphere that puts the audience on the lookout for twists and turns along the way - but even with this expectation, the unpredictable happens. Ewan MacGregor, Pierce Brosnan and Olivia Williams (late of Dollhouse and An Education) are wonderful in their respective roles of ghostwriter, former PM and his driven wife. Also featuring: Kim Cattrall (who is apparently British) in a thankful departure from her Sex and the City role.
#20 Youth in Revolt
Although I enjoyed Youth in Revolt, I think I liked Scott Pilgrim better than this Cera vehicle overall. Now that I think about it, both films feature Cera's character going to extraordinary lengths (boyfriend battle/alter-ego crime spree) to impress girls I found somewhat annoying, Sheeni more so. I felt like she toyed unfairly with Nick for most of the film, versus Pilgrim's Ramona, who genuinely liked Scott but came with plenty of complications. I suppose without the toying, though, Nick's imaginary version of himself, Francois Dillinger, would never have been born.
As B's review mentions, the dialog in the movie is worth noting:
Nick Twisp and Francois Dillinger: Sheeni, hi, nice to see you. I was just going for a walk, and I thought I'd drop by. I remembered that you lived here. I'm sorry I got so upset about Trent. It was very immature of me. I'm not normally like that. He sounds like a great guy. I'd love to hear more of his neat poetry. Say, do you want to go to the beach or get breakfast?#19 Buried
Sheeni Saunders: Actually I'm going on a hike. I'd ask you to come along, but you haven't got any hiking boots, provisions, survey maps, or a compass.
Nick Twisp and Francois Dillinger: Fine. I do all of my hiking free form. Like John Muir, I enter the wilderness with nothing more than my journal and a child-like sense of wonder.
B watched this one while Minnesota was being buried in snow. I was too frightened - even the allure of Ryan Reynolds couldn't pull me in.
#18 True Grit
I didn't see this one either. Too gritty.
#17 The Ghost Writer
I very much enjoyed The Ghost Writer, a mysterious, moody film that leaves you thinking long after the credits roll. The setting, all grey beaches and modern architecture, sets up a suspenseful atmosphere that puts the audience on the lookout for twists and turns along the way - but even with this expectation, the unpredictable happens. Ewan MacGregor, Pierce Brosnan and Olivia Williams (late of Dollhouse and An Education) are wonderful in their respective roles of ghostwriter, former PM and his driven wife. Also featuring: Kim Cattrall (who is apparently British) in a thankful departure from her Sex and the City role.
2010 Movies: #23, 22 & 21
Ref: Mulhern
Rats, I've again fallen behind the Mulhern on the reviewing. Better get to it - the Oscar clock is ticking!
#23 Date Night
"Claw, you're welcome." - receptionist's telephone greeting at Claw, New York's hottest new seafood restaurant. It has everything... risotto, will.i.am, kill shot threats and thugs who want you dead.
Date Night was a fun movie. Tina Fey and Steve Carell are a believable married couple who become convinced they're stuck in a rut and try to spice things up with a night in the city, to disastrous and hilarious ends. The multitude of stars previously mentioned by Mulhern play crucial roles (I seem to remember reading that it's Leighton Meester's highest grossing movie to date), but the bulk of the film rests on Fey and Carell, who successfully combine comedy with action and suspense, showcasing an ultimately sweet relationship.
Especially funny were the outtakes during the credits. Keep watching until the end!
#22 Going the Distance
Recent news of Drew Barrymore's potential new love interest makes me reflect on this movie because her interactions with Justin Long, her real-life long-term light switch (on-and-off-again) beau, in Going the Distance were so believable, I wondered if they were based on real life. When grainy, realistic footage is shown of their characters out on a date, Barrymore sporting an eclectic ensemble and Long exuding an awkward-cool aura, I figured the film crew just followed the couple for a night on the town.
Barrymore and Long portray another believable couple stuck in a rut, this time of the transcontinental variety. Will their romance be defeated by or conquer the distance? Only time will tell!
One thing that stuck out for me: The Boxer Rebellion. I thought it was weird to feature a real band in this movie when *spoiler alert* Long's character got a job with them at the end. I know they did it all the time on The O.C. but in this case it made me feel like that part of the movie wouldn't stand the test of time - but I guess we'll see.
#21 Easy A
Easy A belongs in the permanent rotation. This delightful homage to 1850s literature and 1980s film manages to be fresh and zany while still holding true to the high school experience.
Characters are well-acted for the most part (Amanda Bynes and Aly Michalka are a bit too over-the-top, even in the context of the movie). Emma Stone steals the show, with Stanley Tucci a close second.
It will also be fun in five years to return to the movie and ridicule the very trendy fashion choices, but such is the lot of "teen" movies, I suppose.
Bonus points for having two Gossip Girl stars and two O.C. mentions (via Micah a.k.a. Volchok) in the same post!
Rats, I've again fallen behind the Mulhern on the reviewing. Better get to it - the Oscar clock is ticking!
#23 Date Night
"Claw, you're welcome." - receptionist's telephone greeting at Claw, New York's hottest new seafood restaurant. It has everything... risotto, will.i.am, kill shot threats and thugs who want you dead.
Date Night was a fun movie. Tina Fey and Steve Carell are a believable married couple who become convinced they're stuck in a rut and try to spice things up with a night in the city, to disastrous and hilarious ends. The multitude of stars previously mentioned by Mulhern play crucial roles (I seem to remember reading that it's Leighton Meester's highest grossing movie to date), but the bulk of the film rests on Fey and Carell, who successfully combine comedy with action and suspense, showcasing an ultimately sweet relationship.
Especially funny were the outtakes during the credits. Keep watching until the end!
#22 Going the Distance
Recent news of Drew Barrymore's potential new love interest makes me reflect on this movie because her interactions with Justin Long, her real-life long-term light switch (on-and-off-again) beau, in Going the Distance were so believable, I wondered if they were based on real life. When grainy, realistic footage is shown of their characters out on a date, Barrymore sporting an eclectic ensemble and Long exuding an awkward-cool aura, I figured the film crew just followed the couple for a night on the town.
Barrymore and Long portray another believable couple stuck in a rut, this time of the transcontinental variety. Will their romance be defeated by or conquer the distance? Only time will tell!
One thing that stuck out for me: The Boxer Rebellion. I thought it was weird to feature a real band in this movie when *spoiler alert* Long's character got a job with them at the end. I know they did it all the time on The O.C. but in this case it made me feel like that part of the movie wouldn't stand the test of time - but I guess we'll see.
#21 Easy A
Easy A belongs in the permanent rotation. This delightful homage to 1850s literature and 1980s film manages to be fresh and zany while still holding true to the high school experience.
Characters are well-acted for the most part (Amanda Bynes and Aly Michalka are a bit too over-the-top, even in the context of the movie). Emma Stone steals the show, with Stanley Tucci a close second.
It will also be fun in five years to return to the movie and ridicule the very trendy fashion choices, but such is the lot of "teen" movies, I suppose.
Bonus points for having two Gossip Girl stars and two O.C. mentions (via Micah a.k.a. Volchok) in the same post!
21 February 2011
2010 Movies: #25 & 24
Ref: Mulhern
#25 Cyrus
Awkward. So very awkward. I agree with the Mulhern's assessment that this film had some good moments (living room concert - clutch), and I've been fond of Maria Tomei since my dad the mock trial coach started the yearly tradition of watching My Cousin Vinny to hone courtroom technique. However, for me the awkwardness was just too much to overcome. From the painful opening scene (*spoiler alert* Catherine Keener the ex-wife walks in on John C. Reilly, er, entertaining himself at home) throughout the development of character relationships, painfully awkward moments permeate the storyline. And while some of them are amusing to watch, many of them go just a step too far. That said, the resolution to the whole saga was clever and unexpected.
#24 Despicable Me
I thought this was such a cute movie. I loved the amusing characters, the finger puppet picture book, the audacious goal, the dog (wasn't there a dog?) and the minions!!!! The minions were great. Seeing this in 3D was a good decision, too - we got to ride on a roller coaster and fly and go to the moon! Definitely worth a viewing.
#25 Cyrus
Awkward. So very awkward. I agree with the Mulhern's assessment that this film had some good moments (living room concert - clutch), and I've been fond of Maria Tomei since my dad the mock trial coach started the yearly tradition of watching My Cousin Vinny to hone courtroom technique. However, for me the awkwardness was just too much to overcome. From the painful opening scene (*spoiler alert* Catherine Keener the ex-wife walks in on John C. Reilly, er, entertaining himself at home) throughout the development of character relationships, painfully awkward moments permeate the storyline. And while some of them are amusing to watch, many of them go just a step too far. That said, the resolution to the whole saga was clever and unexpected.
#24 Despicable Me
I thought this was such a cute movie. I loved the amusing characters, the finger puppet picture book, the audacious goal, the dog (wasn't there a dog?) and the minions!!!! The minions were great. Seeing this in 3D was a good decision, too - we got to ride on a roller coaster and fly and go to the moon! Definitely worth a viewing.
17 February 2011
2010 Movies: #26
Ref: Mulhern
#26 Tron: Legacy
I had all intentions of catching this movie tonight, on its last night showing in 3D at any theatre around. Then I forgot until fifteen minutes before. Fie on thee, Justin Bieber: Never Say Never 3D and Gnomeo & Juliet 3D, for stealing the 3D screens that Tron: Legacy 3D had occupied since its release on December 17. (It's my own fault, for waiting two months to see it. Shame.) I suppose I could still watch it in regular D - but where's the fun in that?
#26 Tron: Legacy
I had all intentions of catching this movie tonight, on its last night showing in 3D at any theatre around. Then I forgot until fifteen minutes before. Fie on thee, Justin Bieber: Never Say Never 3D and Gnomeo & Juliet 3D, for stealing the 3D screens that Tron: Legacy 3D had occupied since its release on December 17. (It's my own fault, for waiting two months to see it. Shame.) I suppose I could still watch it in regular D - but where's the fun in that?
16 February 2011
2010 Movies: #28 & 27
Ref: Mulhern
#28 Four Boxes
When a famous financier told me about the premiere of this movie, how could I turn it down? Even though I cower in the corner at all manner of frightening and objectively-not-so-frightening films, I couldn't miss out on the red carpet event of the season. I just figured I would bring a Mulhern with me so I'd have an arm I could clutch when appropriate.
I was terrified on a regular basis throughout Four Boxes. Mind you, nothing terrifying happened - at least, not right away. But the bleak setting (MN - ha!), the macabre career, the questionable moral compass and the little creepy coincidences combine to create a sense of foreboding that emerges well before any of the "scary stuff" kicks in. You just know that something bad is going to happen, but with twist upon twist, you're never certain of what that bad thing will be or where it will end.
I loved the fact that at the film's close, *vague spoiler alert* everything came together in a way that changed my view of everything that came before. Now, if only LR had made it past the cutting room floor.
I plan to see this one again - it's even available on Netflix!
#27 Scott Pilgrim v. The World
Another critically panned movie that I thoroughly enjoyed, in part because I really like saying, "Knives Chau!"
I liked the aesthetic of this film. The comic book/graphic novel/video game style was well-executed, in a way that seemed so specific to the current generation. When we were watching it, B and I talked about how the 1UPs and exploding coin people and restarted levels worked without explanation only because they are part of our cultural lexicon. The battles were creative and the characters were all wry and witty.
I agree with B's assessment of the Cera-saturated market, even though his character here represents somewhat of a departure from previous iterations. It's too bad this movie may have suffered for it.
2010 Movies: #33, 32, 31, 30 & 29
Ref: Mulhern
Five at once? You've got to be kidding, Mulhern!
#33 Hot Tub Time Machine
No clue - didn't see it. I did take a photo with B at the HTTM display, though. It was like we were in the hot tub time machine! He had a flat top.
#32 The Other Guys
Here's another case of The A-Team - I remember enjoying this movie, but don't remember much about it.
#31 MacGruber
Way too gratuitous for me. (Sorry - I know this one is much beloved.) I was hoping to like MacGruber, but it was too much of a parody. I felt like the film pulled a Family Guy, making every gag run on about five minutes longer than necessary. I can attest to the fact that Mulhern enjoyed it thoroughly, however.
#30 She's Out of My League
I have a soft spot for Jay Baruchel now that he's played Hiccup, the greatest young animated action hero of our time, in How to Train Your Dragon (3D), but I liked him in She's Out of My League independent of this. I thought the movie did a pretty good job of toeing the over-the-line line without completely crossing it (see: MacGruber). Some parts were less to my taste than others, but overall it kept my attention and made me cheer for the (at-times moronic) heroes.
Plus - bonus - Krysten Ritter as the eccentric, sometimes caustic but well-meaning friend.
#29 Morning Glory
Mulhern, sis and I saw this at the 10:30 a.m. showing on a Saturday morning. (Yes, I still needed popcorn despite it being well before noon.) Critical panning notwithstanding, I quite enjoyed this lovely and funny film. Diane Keaton and Harrison Ford together were great in their mutual loathing, and Rachel McAdams convincingly portrayed a sweet, idealistic career girl trying to be a mature professional despite challenging coworkers and circumstances. I'd see this one again, even though the bangs and fashion choices left something to be desired.
Weather vane!
Five at once? You've got to be kidding, Mulhern!
#33 Hot Tub Time Machine
No clue - didn't see it. I did take a photo with B at the HTTM display, though. It was like we were in the hot tub time machine! He had a flat top.
#32 The Other Guys
Here's another case of The A-Team - I remember enjoying this movie, but don't remember much about it.
#31 MacGruber
Way too gratuitous for me. (Sorry - I know this one is much beloved.) I was hoping to like MacGruber, but it was too much of a parody. I felt like the film pulled a Family Guy, making every gag run on about five minutes longer than necessary. I can attest to the fact that Mulhern enjoyed it thoroughly, however.
#30 She's Out of My League
I have a soft spot for Jay Baruchel now that he's played Hiccup, the greatest young animated action hero of our time, in How to Train Your Dragon (3D), but I liked him in She's Out of My League independent of this. I thought the movie did a pretty good job of toeing the over-the-line line without completely crossing it (see: MacGruber). Some parts were less to my taste than others, but overall it kept my attention and made me cheer for the (at-times moronic) heroes.
Plus - bonus - Krysten Ritter as the eccentric, sometimes caustic but well-meaning friend.
#29 Morning Glory
Mulhern, sis and I saw this at the 10:30 a.m. showing on a Saturday morning. (Yes, I still needed popcorn despite it being well before noon.) Critical panning notwithstanding, I quite enjoyed this lovely and funny film. Diane Keaton and Harrison Ford together were great in their mutual loathing, and Rachel McAdams convincingly portrayed a sweet, idealistic career girl trying to be a mature professional despite challenging coworkers and circumstances. I'd see this one again, even though the bangs and fashion choices left something to be desired.
Weather vane!
14 February 2011
2010 Movies: #36, 35 & 34
Ref: Mulhern
#36 Wall Street II: Money Never Sleeps
I never saw Wall Street. Let's just get that out of the way off the bat. I found its sequel to be mostly stand-alone, although I did feel like I was missing a little something as far as the characters' backstory relationships were concerned.
The get-out-of-jail scene evoked the classic beginning to The Blues Brothers, a perennial favorite, so that endeared the movie to me at once. Giant cell phone = classic. It was interesting to look back into the recent past and relive the crash of the late aughts through the lens of a fictionalized Lehman Brothers - I could believe that the type of backdoor fate determination that the movie showed really existed, acquiring or bailing out companies based on smooth talking and personal vendettas.
The relationship drama didn't hold my attention all the way through, and I had recently seen Carey Mulligan as a *spoiler alert* pregnant, newly-single woman in The Greatest (I wept) - which also featured Susan Sarandon, now that I think of it. I appreciated her portrayal, in Wall Street II, of a realistically annoying character.
The name Bretton? So ridiculous.
Also, I now have Shia LaBeouf's phone ringtone from this movie. That's what.
#35 Get Him to the Greek
Hard rock and painted-on trousers. Excessive drinking and substance abuse. Awkward sexual references and situations. Poor overworked assistant trying to wrangle out of control star. Larger-than-life Diddy.
Yeah, I didn't see this film.
#34 How Do You Know
Reese Witherspoon, a.k.a. "The All-American Girl," is joined by Paul Rudd ("The American Hugh Grant" = charmingly befuddled), Owen Wilson ("The American Hippie Man-Child"), Kathryn Hahn ("The All-American Girl-Next-Door/Best Friend") and Jack Nicholson ("The American Icon") in a film that explores what you become when you aren't what you think you are.
There were a lot of plot threads going on in this film - financial finagling, career counseling, soul searching, corporate conniving, relationship ruminating. Tying them all up neatly felt a little tricky or forced.
As Mulhern mentioned, Wilson's Matty was endearingly dopey, to the point where you wondered if he'd been hit by a wild pitch in the noggin one too many times or if his ego was slowly devouring the logic centers of his brain. Rudd was convincing as he waffled between fleeing and facing up to financial ruin (hello, Wall Street II). And Witherspoon, as ever, was perky and practical as a woman trying to figure out her next move after being blindsided by a change in situation.
#36 Wall Street II: Money Never Sleeps
I never saw Wall Street. Let's just get that out of the way off the bat. I found its sequel to be mostly stand-alone, although I did feel like I was missing a little something as far as the characters' backstory relationships were concerned.
The get-out-of-jail scene evoked the classic beginning to The Blues Brothers, a perennial favorite, so that endeared the movie to me at once. Giant cell phone = classic. It was interesting to look back into the recent past and relive the crash of the late aughts through the lens of a fictionalized Lehman Brothers - I could believe that the type of backdoor fate determination that the movie showed really existed, acquiring or bailing out companies based on smooth talking and personal vendettas.
The relationship drama didn't hold my attention all the way through, and I had recently seen Carey Mulligan as a *spoiler alert* pregnant, newly-single woman in The Greatest (I wept) - which also featured Susan Sarandon, now that I think of it. I appreciated her portrayal, in Wall Street II, of a realistically annoying character.
The name Bretton? So ridiculous.
Also, I now have Shia LaBeouf's phone ringtone from this movie. That's what.
#35 Get Him to the Greek
Hard rock and painted-on trousers. Excessive drinking and substance abuse. Awkward sexual references and situations. Poor overworked assistant trying to wrangle out of control star. Larger-than-life Diddy.
Yeah, I didn't see this film.
#34 How Do You Know
Reese Witherspoon, a.k.a. "The All-American Girl," is joined by Paul Rudd ("The American Hugh Grant" = charmingly befuddled), Owen Wilson ("The American Hippie Man-Child"), Kathryn Hahn ("The All-American Girl-Next-Door/Best Friend") and Jack Nicholson ("The American Icon") in a film that explores what you become when you aren't what you think you are.
There were a lot of plot threads going on in this film - financial finagling, career counseling, soul searching, corporate conniving, relationship ruminating. Tying them all up neatly felt a little tricky or forced.
As Mulhern mentioned, Wilson's Matty was endearingly dopey, to the point where you wondered if he'd been hit by a wild pitch in the noggin one too many times or if his ego was slowly devouring the logic centers of his brain. Rudd was convincing as he waffled between fleeing and facing up to financial ruin (hello, Wall Street II). And Witherspoon, as ever, was perky and practical as a woman trying to figure out her next move after being blindsided by a change in situation.
12 February 2011
2010 Movies: #39, 38 & 37
Ref: Mulhern
Blast this Mulhern and his triplicate blogging!
#39 The A-Team
I was the catalyst to B's remembering he actually saw The A-Team, in my comparing it to The Losers, so I guess I have that going for me. I, too, enjoyed the movie although I don't have an exact memory of the whole plot. In no particular order, I recall (may contain *spoilers*):
#38 Ondine
I had never heard of this movie until Mulhern brought it to the house. This modern fairytale, dreamy and gritty by turns, was done a disservice by my audiovisual setup. The contrast was way off - at times practically black on black - and the dialogue was consistently difficult to decipher. It was almost like the time B watched some British film and ended up turning on the captions midway through because the speech was just too difficult to understand. Ondine also suffered because we ended up watching it over a two-day period. Someone got sleepy. I won't identify said party further.
That being said, I appreciated the inventive storyline, the beautiful setting and the well-drawn characters. Performances in this film were well done - I disliked those I was supposed to dislike and cheered for the heroes despite their flaws. The girl who played the daughter was very sweet, as well, in her quest to keep her selkie mother figure nearby.
#37 Greenburg
This was a movie about which I said, "Yeah, I guess I could watch that." I was ambivalent toward it from the outset, knowing little except for the information shared in the New York Times review, the fact that he complained a lot (preview) and that the movie possessed a certain mumblecore aesthetic (although the term itself is apparently controversial with some of those identified as its practicioners).
I enjoyed the main characters, especially Greta Gerwig. The *spoiler alert* relationship between her character and Ben Stiller's character also rang true to me, with just the right mix of obliviousness, tactlessness, cruelty and kindness appropriate for the individuals and the situations they encountered. Greenberg felt authentic although I wouldn't call it true to my experience.
Like B, I enjoyed Greenburg's complaint letters. They reminded me of the premise of Dear American Airlines, a book written as a lengthy complaint letter, because of the sheer ridiculousness of their scale.
All in all, I don't think I would have ranked Greenberg above some of the others on the list thus far, despite its pedigree. How about Valentine's Day instead?
Blast this Mulhern and his triplicate blogging!
#39 The A-Team
I was the catalyst to B's remembering he actually saw The A-Team, in my comparing it to The Losers, so I guess I have that going for me. I, too, enjoyed the movie although I don't have an exact memory of the whole plot. In no particular order, I recall (may contain *spoilers*):
- A suitcase of money being scattered in a flaming explosion
- Dark liquor (bourbon?) and cigars
- Betrayal
- Escape hijinks
- Parachuting tank, clearly
- Some airport scene involving maybe a photo booth
- Key kiss
- Bradley Cooper (will wonders never cease?)
#38 Ondine
I had never heard of this movie until Mulhern brought it to the house. This modern fairytale, dreamy and gritty by turns, was done a disservice by my audiovisual setup. The contrast was way off - at times practically black on black - and the dialogue was consistently difficult to decipher. It was almost like the time B watched some British film and ended up turning on the captions midway through because the speech was just too difficult to understand. Ondine also suffered because we ended up watching it over a two-day period. Someone got sleepy. I won't identify said party further.
That being said, I appreciated the inventive storyline, the beautiful setting and the well-drawn characters. Performances in this film were well done - I disliked those I was supposed to dislike and cheered for the heroes despite their flaws. The girl who played the daughter was very sweet, as well, in her quest to keep her selkie mother figure nearby.
#37 Greenburg
This was a movie about which I said, "Yeah, I guess I could watch that." I was ambivalent toward it from the outset, knowing little except for the information shared in the New York Times review, the fact that he complained a lot (preview) and that the movie possessed a certain mumblecore aesthetic (although the term itself is apparently controversial with some of those identified as its practicioners).
I enjoyed the main characters, especially Greta Gerwig. The *spoiler alert* relationship between her character and Ben Stiller's character also rang true to me, with just the right mix of obliviousness, tactlessness, cruelty and kindness appropriate for the individuals and the situations they encountered. Greenberg felt authentic although I wouldn't call it true to my experience.
Like B, I enjoyed Greenburg's complaint letters. They reminded me of the premise of Dear American Airlines, a book written as a lengthy complaint letter, because of the sheer ridiculousness of their scale.
All in all, I don't think I would have ranked Greenberg above some of the others on the list thus far, despite its pedigree. How about Valentine's Day instead?
09 February 2011
2010 Movies: #41 & 40
Ref: Mulhern
Regarding the ode to the Packers, suffice it to say I'm happy that the movie critic is happy.
# 41 Dinner for Schmucks
Mulhern hit this one spot-on. The *spoiler alert* eventual friendship between Paul Rudd and Steve Carell was worth it, but getting to that resolution was just painful. Dinner for Schmucks provided a prime example of the Office-style comedy of awkwardness gone awry. Scenes that continued well past the point of funny-awkward and into the realm of painful-awkward had me cringing.
As B mentioned, there were a number of humorous scenes from this comedic ensemble, and the gag real on the DVD was also enjoyable, but all in all I don't have the desire to see this one again anytime soon. How about Valentine's Day instead?
#40 Babies
BABIES!!!!!!! B surprised me with a rental of this film after a long day because he knew I wanted to see it; my interest was piqued by a movie poster and a New York Times review. I loved seeing the naughty babies' personalities come through. It was also interesting to see the similarities that existed in each family across cultures. I, too, had a soft spot for the antics of the Mongolian baby and his older sibling. The scene with the washbasin and the goat (see trailer) still makes me chuckle. All in all, Babies put a smile on my face. (And a little Sufjan never hurt anyone, either.)
Regarding the ode to the Packers, suffice it to say I'm happy that the movie critic is happy.
# 41 Dinner for Schmucks
Mulhern hit this one spot-on. The *spoiler alert* eventual friendship between Paul Rudd and Steve Carell was worth it, but getting to that resolution was just painful. Dinner for Schmucks provided a prime example of the Office-style comedy of awkwardness gone awry. Scenes that continued well past the point of funny-awkward and into the realm of painful-awkward had me cringing.
As B mentioned, there were a number of humorous scenes from this comedic ensemble, and the gag real on the DVD was also enjoyable, but all in all I don't have the desire to see this one again anytime soon. How about Valentine's Day instead?
#40 Babies
BABIES!!!!!!! B surprised me with a rental of this film after a long day because he knew I wanted to see it; my interest was piqued by a movie poster and a New York Times review. I loved seeing the naughty babies' personalities come through. It was also interesting to see the similarities that existed in each family across cultures. I, too, had a soft spot for the antics of the Mongolian baby and his older sibling. The scene with the washbasin and the goat (see trailer) still makes me chuckle. All in all, Babies put a smile on my face. (And a little Sufjan never hurt anyone, either.)
07 February 2011
2010 Movies: #42
Ref: Mulhern
#42 Cop-Out
(Whew - a single posting so I can catch up! That Mulhern is a speedy one!)
Cop-Out was a bit hard to recall - I began confusing it with The Other Guys at first, and was all set to pen something about leaping tall buildings with a single bound. But no, Cop-Out is the one with the surveillance teddy bear and Michelle Trachtenberg, who always seems to rub me the wrong way.
I remember feeling sorry for Bruce Willis, a guy just trying to give his daughter her dream wedding (which she totally could have toned down - kids these days are so demanding!). Why couldn't he just keep his baseball card??? Unacceptable.
I did like the exchange (I think it was highlighted in the preview as well) between the cops and the mom and son in which they were all watching their language. From the esteemed Internet Movie Database:
Oh yeah - Adam Brody was in this movie! I like him, even though he was somewhat smarmy in this role. OH, and they flaunted cowboy boots. OH YEAH - Seann William Scott was in the movie too. The scene of *spoiler alert* repeating dialogue was quite humorous.
That is what I took away from Cop-Out.
#42 Cop-Out
(Whew - a single posting so I can catch up! That Mulhern is a speedy one!)
Cop-Out was a bit hard to recall - I began confusing it with The Other Guys at first, and was all set to pen something about leaping tall buildings with a single bound. But no, Cop-Out is the one with the surveillance teddy bear and Michelle Trachtenberg, who always seems to rub me the wrong way.
I remember feeling sorry for Bruce Willis, a guy just trying to give his daughter her dream wedding (which she totally could have toned down - kids these days are so demanding!). Why couldn't he just keep his baseball card??? Unacceptable.
I did like the exchange (I think it was highlighted in the preview as well) between the cops and the mom and son in which they were all watching their language. From the esteemed Internet Movie Database:
Jimmy Monroe: Mam, mam.
Woman: Whats going on?
Paul Hodges: Somebody just broke into your house.
Woman: [while pulling out gun] I'm gunna go take care of the son of a... B, myself.
Jimmy Monroe: Woah, woah, mam.
Young Boy: You gunna smoke somebody?
Paul Hodges: Put the gun down.
Woman: I know my rights!
Jimmy Monroe: [while tryin not to swear in front of young boy] Lady, put the f-in' gun, down on the ground right now, take your son across the f-in' street, AND STAY THERE TILL WE COME AND GET YOU! Jesus... C.
Oh yeah - Adam Brody was in this movie! I like him, even though he was somewhat smarmy in this role. OH, and they flaunted cowboy boots. OH YEAH - Seann William Scott was in the movie too. The scene of *spoiler alert* repeating dialogue was quite humorous.
That is what I took away from Cop-Out.
2010 Movies: #44 & 43
Ref: Mulhern
#44 The Karate Kid
Boy leaves friends behind and moves to China. Boy is bored and doesn't fit in. Boy runs from bullies and meets mysterious karate guru. Boy begins to learn karate. Boy meets karate bully's pseudo-girlfriend. Boy charms girl and distracts her from violin. Boy *spoiler alert* overcomes adversity and restores the honor of girl, himself and both their families. Sequel soon to follow, one can only hope.
The Karate Kid provided an evening of enjoyable by-the-book entertainment. Jaden Smith was cute and Jackie Chan was as solid as ever. A thought on the culmination - I always find it ridiculous that movies in which youth participate in a big game, tournament or competition make sure that said event is the biggest event in the history of the world. Seriously - elementary school karate tournament? Of course the world is watching. All in all, the only thing missing from The Karate Kid was the crane! (Well, that and the legendary hair.)
On the Jaden Smith career watch front, while watching Gossip Girl this evening I saw a preview for the Justin Bieber documentary Justin Bieber: Never Say Never (an upcoming feature of which I was thankfully unaware until today, less than a week before its release), which apparently features some slow motion dancing by the young Smith lad. I think it's safe to say he's well on his way.
#43 Salt
First of all, re: bath salts: true story. Moving on, re: Salt: my descriptor for this film would be "overseasoned" - too much Salt trying to cover up too little substance.
I think the viewing of Salt - in the theatre, no less - was my fault as well. The preview made the movie look like a Fugitive-style action thriller, but I was underwhelmed by the end product. The concept, albeit confusing, was worthwhile - the "is she or isn't she" dynamic kept me guessing until the end - but I was shocked about how much violence the film's execution (no pun intended) involved. It felt way too gratuitous. Cribs from your standard action touchstones, like Mission: Impossible and the aforementioned Fugitive franchise, were employed to uneven effect.
Although a clear sequel setup rounded out the production, I think it's safe to say that if I deign to view Salt II: Open Season(ing), it will be from the comfort of my basement with a beverage in hand.
#44 The Karate Kid
Boy leaves friends behind and moves to China. Boy is bored and doesn't fit in. Boy runs from bullies and meets mysterious karate guru. Boy begins to learn karate. Boy meets karate bully's pseudo-girlfriend. Boy charms girl and distracts her from violin. Boy *spoiler alert* overcomes adversity and restores the honor of girl, himself and both their families. Sequel soon to follow, one can only hope.
The Karate Kid provided an evening of enjoyable by-the-book entertainment. Jaden Smith was cute and Jackie Chan was as solid as ever. A thought on the culmination - I always find it ridiculous that movies in which youth participate in a big game, tournament or competition make sure that said event is the biggest event in the history of the world. Seriously - elementary school karate tournament? Of course the world is watching. All in all, the only thing missing from The Karate Kid was the crane! (Well, that and the legendary hair.)
On the Jaden Smith career watch front, while watching Gossip Girl this evening I saw a preview for the Justin Bieber documentary Justin Bieber: Never Say Never (an upcoming feature of which I was thankfully unaware until today, less than a week before its release), which apparently features some slow motion dancing by the young Smith lad. I think it's safe to say he's well on his way.
#43 Salt
First of all, re: bath salts: true story. Moving on, re: Salt: my descriptor for this film would be "overseasoned" - too much Salt trying to cover up too little substance.
I think the viewing of Salt - in the theatre, no less - was my fault as well. The preview made the movie look like a Fugitive-style action thriller, but I was underwhelmed by the end product. The concept, albeit confusing, was worthwhile - the "is she or isn't she" dynamic kept me guessing until the end - but I was shocked about how much violence the film's execution (no pun intended) involved. It felt way too gratuitous. Cribs from your standard action touchstones, like Mission: Impossible and the aforementioned Fugitive franchise, were employed to uneven effect.
Although a clear sequel setup rounded out the production, I think it's safe to say that if I deign to view Salt II: Open Season(ing), it will be from the comfort of my basement with a beverage in hand.
03 February 2011
2010 Movies: #46 & 45
Ref: Mulhern
# 46 Just Wright
Point of clarification on the Rapper/Actor phenomenon: if I recall correctly, Vanilla Ice actually rapped during TMNT II in a club fight scene. One must give him full credit for his hour of glory. Also, any discussion of Rapper/Actors that does not include LL Cool J (Deep Blue Sea, NCIS: LA, need I say more?) is sorely lacking. With that out of the way...
The viewing of this film again resulted from one of my requests. I recall seeing its preview (perhaps during Valentine's Day?) and prodding B: "I want to see that!" Fast forward a few months and Redbox brought Queen Latifah and Common in all their glory to the comfort of home.
I enjoyed Just Wright and would probably see it again. I liked the fact that Leslie was a strong, independent career woman with realistic qualities and personality attributes. From her clunky car and fixer-upper home to the girl-next-door attitude she was challenged to shed, I felt like Queen Latifah was playing a real woman (albeit in a somewhat contrived situation). Her cousin, on the other hand, completely annoyed me. And Common was a bit of a moron when it came to recognizing the motives of said jersey-chaser - but I suppose that was necessary to get the movie going.
Above all, I was pleased that *spoiler alert* the (w)right one won out in the end.
#45 Iron Man 2
I put this in the "shame" category. Shame on you, creators of Iron Man 2, for so desecrating the sophomore effort of what could have been a solid superhero franchise. Overall, I would rank Valentine's Day and Just Wright above Iron Man 2 - which is probably the result of the high expectations to which B alluded.
Watching this movie with Mulhern, I found myself distracted by his disgust at the annoying Stark-competitor character bent on taking over the world or whatever. When he says he was cringing he isn't kidding. A drinking game for every cringe would have left all of us with heads spinning.
In the original Iron Man, I appreciated the dynamic between Gwyneth's Pepper Potts and RDJ's Tony Stark, splendid in the glory of hinted-at-yet-unacknowledged love. This time around, it fell kind of flat, from what I recall.
I appreciated the flashbacks to Roger Sterling, whiskey in hand, as Papa Stark laying out a puzzle for his son to solve. I also liked the bird.
# 46 Just Wright
Point of clarification on the Rapper/Actor phenomenon: if I recall correctly, Vanilla Ice actually rapped during TMNT II in a club fight scene. One must give him full credit for his hour of glory. Also, any discussion of Rapper/Actors that does not include LL Cool J (Deep Blue Sea, NCIS: LA, need I say more?) is sorely lacking. With that out of the way...
The viewing of this film again resulted from one of my requests. I recall seeing its preview (perhaps during Valentine's Day?) and prodding B: "I want to see that!" Fast forward a few months and Redbox brought Queen Latifah and Common in all their glory to the comfort of home.
I enjoyed Just Wright and would probably see it again. I liked the fact that Leslie was a strong, independent career woman with realistic qualities and personality attributes. From her clunky car and fixer-upper home to the girl-next-door attitude she was challenged to shed, I felt like Queen Latifah was playing a real woman (albeit in a somewhat contrived situation). Her cousin, on the other hand, completely annoyed me. And Common was a bit of a moron when it came to recognizing the motives of said jersey-chaser - but I suppose that was necessary to get the movie going.
Above all, I was pleased that *spoiler alert* the (w)right one won out in the end.
#45 Iron Man 2
I put this in the "shame" category. Shame on you, creators of Iron Man 2, for so desecrating the sophomore effort of what could have been a solid superhero franchise. Overall, I would rank Valentine's Day and Just Wright above Iron Man 2 - which is probably the result of the high expectations to which B alluded.
Watching this movie with Mulhern, I found myself distracted by his disgust at the annoying Stark-competitor character bent on taking over the world or whatever. When he says he was cringing he isn't kidding. A drinking game for every cringe would have left all of us with heads spinning.
In the original Iron Man, I appreciated the dynamic between Gwyneth's Pepper Potts and RDJ's Tony Stark, splendid in the glory of hinted-at-yet-unacknowledged love. This time around, it fell kind of flat, from what I recall.
I appreciated the flashbacks to Roger Sterling, whiskey in hand, as Papa Stark laying out a puzzle for his son to solve. I also liked the bird.
01 February 2011
2010 Movies: #48 & 47
Ref: Mulhern
#48 Valentine's Day
Garry Marshall, I feel for you. You're known for highlighting your favorite actors repeatedly in your films (see: Julia Roberts, Hector Elizondo, Anne Hathaway, Kathleen Marshall [your daughter]) - and I like seeing my favorite actors repeatedly in films, so we have that in common.
I'll admit, I've seen this movie twice, once on its eponymous day and once as a fairly recent rental. I've had a soft spot for Bradley Cooper since Alias and it was great to see him redeem himself from the *spoiler alert* two-timing cad (blast you Jennifer Connelly for being just so crazy in that film and ScarJo for being hideously costumed, although I do like your recent bob) he played in another ensemble film that B simply loved, He's Just Not That Into You (nice character name, btw). And I rather enjoyed the characters played by Anne Hathaway, Jennifer Garner, Hector, Emma Roberts (way too mature for a high schooler), Kristin Schaal (now officially in everything) and, of course, Ashton. All in all, I'm not saying it's fine cinema, but I found it to be an enjoyable 125 minutes of my life that I don't regret devoting (twice) to some by-the-book rom-com escapism. G, if you could back slightly away from the tropes for New Year's Eve, I might actually be tempted to watch - though, to be fair, not at the midnight showing on December 31. With both Ashton Kutcher and Jessica Biel playing different characters this time around, I think that might be more than I could handle with a champagne cocktail or two under my belt.
#47 The Losers
This one was my fault - or, rather, the fault of the Redbox description:
#48 Valentine's Day
Garry Marshall, I feel for you. You're known for highlighting your favorite actors repeatedly in your films (see: Julia Roberts, Hector Elizondo, Anne Hathaway, Kathleen Marshall [your daughter]) - and I like seeing my favorite actors repeatedly in films, so we have that in common.
I'll admit, I've seen this movie twice, once on its eponymous day and once as a fairly recent rental. I've had a soft spot for Bradley Cooper since Alias and it was great to see him redeem himself from the *spoiler alert* two-timing cad (blast you Jennifer Connelly for being just so crazy in that film and ScarJo for being hideously costumed, although I do like your recent bob) he played in another ensemble film that B simply loved, He's Just Not That Into You (nice character name, btw). And I rather enjoyed the characters played by Anne Hathaway, Jennifer Garner, Hector, Emma Roberts (way too mature for a high schooler), Kristin Schaal (now officially in everything) and, of course, Ashton. All in all, I'm not saying it's fine cinema, but I found it to be an enjoyable 125 minutes of my life that I don't regret devoting (twice) to some by-the-book rom-com escapism. G, if you could back slightly away from the tropes for New Year's Eve, I might actually be tempted to watch - though, to be fair, not at the midnight showing on December 31. With both Ashton Kutcher and Jessica Biel playing different characters this time around, I think that might be more than I could handle with a champagne cocktail or two under my belt.
#47 The Losers
This one was my fault - or, rather, the fault of the Redbox description:
An explosive action tale of betrayal and revenge, The Losers centers around an elite Special Forces unit sent to the Bolivian jungle on a search-and-destroy mission. But the team – Clay, Jensen, Roque, Pooch and Cougar – soon find that they have become the target of a deadly double cross instigated by a powerful enemy known only as Max.
It sounds like the poor man's The A Team (again with the Bradley Cooper!), with Zoe Saldana standing in for Jessica Biel - and who doesn't like Zoe Saldana? But, alas, there were no action-packed *spoiler alert* plummeting tank scenes in The Losers. There was only darkness, and despair, and a shot of ZS in some undies reflected slow-motion style in a shard of broken mirror, which I believe was a highlight for B, though it didn't do enough to counteract the general gratuitous violence (which, for an action comedy, is saying a lot).
Mulhern's review reminded me that there were some lighthearted moments and laugh-out-loud lines in this film - after all, it boasted the classic word-combine "BlaGyver!" - but my overall impression was that I should have opted for a second viewing of The A Team.
2010 Movies: #50 & 49
Ref: Mulhern
First of all, regarding the whole, "I'm not a movie critic," line: I call shenanigans. BMWM is nothing if not a film buff, rendered thusly by some combination of in-utero theatre experience, youthful jaunts to the local multiplex (live-action TMNT, anyone?) and diligent post-secondary school days in the realm of radio-TV-film. That said, onwards...
#50: Death at a Funeral
A somewhat inauspicious start to my enterprise, as I was not privy to the viewing of this film. However, I have received word from the Mulhern himself that he found it preferable to Janky Promoters, a prime rental from last Oscar season, so D at a F does have that in its corner.
#49: The Twilight Saga: Eclipse
As the force behind the viewing of the above films (and its predecessors), I must agree with Mulhern on this one: saga it is not. In fact, this "loyal" fan (read all the books, watched the first three movies [two in theatres on late run, one in my basement... twice...]) does not plan on shelling out for the hot and heavy six-hours-over-two-years-of-my-life that Breaking Dawn Parts I and II will offer. I'm just not that into the whole *spoiler alert* clawing vampire birth scene, among other choice moments.
I must inform you that I didn't have to twist B's arm to have him accompany me to this movie. At a viewing of one preview, where a vampire did a parallel leap over a werewolf, I distinctly recall him saying, "That looks pretty cool." Eclipse, however, made the classic mistake of sharing all the highlights in its preview.
To be fair, B - the feud in The Twilight Saga is not between tweens alone (besides, I think they're at least in late high school - and Edward is undead, so there's that). Nay, it is an epic battle, pitting good vs. evil, humanity vs. true love, pride vs. prejudice, werewolves vs. vampires, vampires vs. vampires, vampires vs. humans, humans vs. vampires and my desire of watching full series in order vs. my lack of desire to see this series' finale.
First of all, regarding the whole, "I'm not a movie critic," line: I call shenanigans. BMWM is nothing if not a film buff, rendered thusly by some combination of in-utero theatre experience, youthful jaunts to the local multiplex (live-action TMNT, anyone?) and diligent post-secondary school days in the realm of radio-TV-film. That said, onwards...
#50: Death at a Funeral
A somewhat inauspicious start to my enterprise, as I was not privy to the viewing of this film. However, I have received word from the Mulhern himself that he found it preferable to Janky Promoters, a prime rental from last Oscar season, so D at a F does have that in its corner.
#49: The Twilight Saga: Eclipse
As the force behind the viewing of the above films (and its predecessors), I must agree with Mulhern on this one: saga it is not. In fact, this "loyal" fan (read all the books, watched the first three movies [two in theatres on late run, one in my basement... twice...]) does not plan on shelling out for the hot and heavy six-hours-over-two-years-of-my-life that Breaking Dawn Parts I and II will offer. I'm just not that into the whole *spoiler alert* clawing vampire birth scene, among other choice moments.
I must inform you that I didn't have to twist B's arm to have him accompany me to this movie. At a viewing of one preview, where a vampire did a parallel leap over a werewolf, I distinctly recall him saying, "That looks pretty cool." Eclipse, however, made the classic mistake of sharing all the highlights in its preview.
To be fair, B - the feud in The Twilight Saga is not between tweens alone (besides, I think they're at least in late high school - and Edward is undead, so there's that). Nay, it is an epic battle, pitting good vs. evil, humanity vs. true love, pride vs. prejudice, werewolves vs. vampires, vampires vs. vampires, vampires vs. humans, humans vs. vampires and my desire of watching full series in order vs. my lack of desire to see this series' finale.
Going to the Movies with Mulhern
By now you're probably aware that the intrepid Mulhern has embarked on a month-long countdown of a year's worth of movies - fifty films, to be exact. How impressive!
Hitching a ride on his coattails, I'll be writing a commentary on his countdown, complete with assessments of where he has it right, where he has it oh-so-wrong and where I'm unable to judge because I a) neglected to see the film, b) fell asleep halfway through (hello Green Zone - oh, wait, that was B) or c) was hiding at multiple points (I'm looking at you, Natalie Portman a.k.a. Black Swan).
Excited? I should think so!
Hitching a ride on his coattails, I'll be writing a commentary on his countdown, complete with assessments of where he has it right, where he has it oh-so-wrong and where I'm unable to judge because I a) neglected to see the film, b) fell asleep halfway through (hello Green Zone - oh, wait, that was B) or c) was hiding at multiple points (I'm looking at you, Natalie Portman a.k.a. Black Swan).
Excited? I should think so!
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